{"id":26824,"date":"2020-11-02T11:01:37","date_gmt":"2020-11-02T10:01:37","guid":{"rendered":"https:\/\/zff.hr\/?page_id=26824"},"modified":"2021-11-15T17:18:52","modified_gmt":"2021-11-15T16:18:52","slug":"how-are-video-games-different","status":"publish","type":"page","link":"https:\/\/2024.zff.hr\/en\/industry\/how-are-video-games-different\/","title":{"rendered":"How Are Video Games Different\u2026?"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":26703,"parent":756,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-26824","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"acf_fields":{"page_builder":true,"content":"

otvoreno za javnost<\/strong>
\n15\/11 | UTORAK | 16:00 | HUB385<\/strong>
\nPetra\u010di\u0107eva ulica 4<\/strong><\/p>\n

Ljudi koji proizvode filmove i ljudi koji proizvode videoigre<\/strong> su bra\u0107a po “oru\u017eju”. U svojim po\u010decima film je do\u017eivio isti tretman kao i videoigre. Promatran je kao sajamska atrakcija za djecu. Nije trebalo dugo da se shvati \u0161to film stvarno jest i koliki je njegov potencijal. Danas svijet vidi i po\u010dinje shva\u0107ati potencijal videoigara<\/strong>. Vrijeme je da se i u Hrvatskoj prepozna potencijal najbr\u017ee rastu\u0107e grane<\/strong> audiovizualne industrije, te da filma\u0161i i game developeri<\/em> po\u010dnu aktivno i sustavno sura\u0111ivati. (Antonio Nui\u0107<\/strong>)<\/p>\n

Sudionici:<\/strong><\/span><\/p>\n

\"nuic\"Antonio Nui\u0107<\/strong> ro\u0111en je u Sarajevu, 1977. godine. Magistrirao je re\u017eiju na Akademiji dramske umjetnosti u Zagrebu gdje u posljednjih pet godina predaje na nekoliko kolegija. Za filmove koje re\u017eira pi\u0161e i scenarije. Umjetni\u010dki je savjetnik Zagreb Fim Festivala i \u010dlan Upravnog odbora Dru\u0161tva hrvatskih filmskih redatelja.<\/p>\n

\"andrej-kovacevic\"Andrej Kovac\u030cevic\u0301, Bear With Me<\/em> (Exordium Games)<\/strong>
\nAndrej Kova\u010devi\u0107 \u010dlan je Exordium Games studija za izradu igara. Naslovi koji su trenutno u izradi su: Bear With Me<\/em>, Zero Reflex<\/em>, Agenda<\/em>, Nephil\u2019s Fall<\/em> i Last Encounter<\/em>, od kojih je Bear with me<\/em> naslov koji je pobijedio u kategoriji Najbolje indie igre na Reboot Infogameru 2014., te je nominiran u kategoriji Najbolje narativne igrice na doga\u0111aju Causal Connect Amsterdam 2016. Andrej Kova\u010devi\u0107 jo\u0161 pi\u0161e i za \u010dasopis Reboot, predaje na Machina Game Akademiji te je osniva\u010d Indiefferent studija.<\/p>\n

\"davor-hunski-slika-1\"Davor Hunski, The Talos Principle<\/em> (Croteam)
\n<\/strong>Davor Hunski jedan je od osniva\u010da legendarnog zagreba\u010dkog game development<\/em> studija Croteam, tvoraca svjetski poznatih i priznatih naslova Serious Sam<\/em> i The Talos Principle<\/em>. Davor zauzima poziciju glavnog game designera<\/em> u studiju, ali radio je na mnogim aspektima produkcije, poput marketinga, specijalnih efekata, level<\/em> i sound designa<\/em> te programiranja.<\/p>\n

Mr. Tid Cooney, Raid – World War II (Lion Game Lion)<\/strong><\/p>\n

\"hub385-1\"<\/p>\n","blocks":[{"acf_fc_layout":"header","id":"","image":26703,"video":false,"loop_video":false,"breadcrumbs":true,"lead":"

How Are Video Games Different…?<\/h1>\n

<\/h1>\n","speed":"1","overlay":""},{"acf_fc_layout":"section","id":"","title":"","subtitle":"Lecture + Panel","lead":"

17\/11 | WEDNESDAY | 13:00 \u2013 16:00 | F22
\n<\/b>jezik: language: English
\n<\/b>open to public<\/b><\/p>\n

A valid EU digital COVID pass or a valid negative test (PCR up to 72 hours, lateral flow up to 48 hours) required for entry.<\/strong><\/p>\n

 <\/p>\n

The workshop is dedicated to a comparative analysis of video games and linear media (films, TV series,…). What are <\/span>the principles at the basis of the construction of a video game and a linear audiovisual work<\/b>? The common points and differences lead to two distinct realization processes. How will these two fields converge and\/or diverge in the future? We analyse some of the future content types, including video games as a live show, games in movie theatres and amusement parks, geolocalized games, and transmedia. In order to provide the answers to these questions, it is also important to consider the position of platforms such as Netflix or Amazon, as well as TV channels and broadcasters. The presentation will be accompanied by numerous video game examples and a Q&A session.<\/span><\/p>\n

 <\/p>\n

The lecture will be followed by a panel discussion<\/span>, including the participation of <\/span>Thierry Baujard<\/b> (SpielFabrique), <\/span>St\u00e9phane Natkin<\/b> (CEDRIC), Mario \u010celan<\/strong> (Inkubator Pismo), <\/span>Christopher P. Marcich<\/b> (HAVC) and <\/span>Davor \u0160vai\u0107<\/b> (ADU).<\/span><\/p>\n

 <\/p>\n

The event is realized as a part of DigiTelling<\/strong> project, the first regional mentoring programme for innovative independent video games, organised by the Goethe-Institut Kroatien and the French Institute of Croatia in cooperation with the “Edu4Games\u201d initiative, with the support of the Franco-German Cultural Fund.<\/p>\n

 <\/p>\n","custom_css_toggle":false,"custom_css":"","content":false},{"acf_fc_layout":"split_view","background_color":"","text_color":"","image":false,"left_column":"

\"\"<\/a><\/p>\n","right_column":"

ST\u00c9PHANE NATKIN<\/strong><\/p>\n

Professor emeritus at CNAM, Paris, and the founder of the game production company La Compagnie des Martingales. He was the founder and Director of the Graduate School of Games and Interactive Media, ENJMIN and is a member of the Mobility Interaction and Media group at the Research Laboratory CEDRIC. He works in the field of multimedia systems and video games, both as a researcher and industry professional. He authored numerous scientific publications in these fields. Among others, he wrote the book <\/span>Video Games and Interactive Media, A Glimpse at New Digital Entertainment<\/span><\/i> (2006). <\/span><\/p>\n"},{"acf_fc_layout":"section","id":"","title":"","subtitle":"Panel: From Film to Games - Future of the Creative Media","lead":"","custom_css_toggle":false,"custom_css":"","content":[{"acf_fc_layout":"grid","columns":[{"number":"moderator","title":"Lucija Pili\u010d","description":"

\"\"<\/a><\/p>\n

PR and business development manager in the Croatian studio for video game development Gamechuck, who worked for over a decade in IT and gaming journalism (nextLevel, Reboot). External associate for the magazine VIDI and magazine Netokracija.<\/p>\n"}]},{"acf_fc_layout":"grid","columns":[{"number":"","title":"Thierry Baujard","description":"

\"\"<\/a><\/p>\n

Co-founder of SpielFabrique through which he provides mentoring and support on funding for video game studios. He has 20 years of experience in the entertainment industry, with a focus on financing. He holds an MBA from Bocconi University in Italy and UCLA in Los Angeles. Thierry has been involved in different creative industries funding schemes for the film, music and videogame sectors, and he is an adviser for the European Commission on cultural, creative sector and cross sectoral funding. In the past, he worked for the Vivendi group in London, ARTE and Studio Babelsberg in Berlin.<\/span><\/p>\n"},{"number":"","title":"Mario \u010celan","description":"

\"\"<\/a><\/p>\n

He brought the first European funds to the westernmost Slavonian town of Novska and demonstrated what possibilities the EU funds could offer. He is not the one to give up, so he turned Novska into a gaming industry center, thanks to the entrepreneurial incubator PISMO. At work, his mind is always on innovations and new entrepreneurial achievements, and the same is true for his free time playing football. He is much better at VR football than the one on the grass. An agronomist by profession, he and his team at the SIMORA Regional Development Agency are responsible for the best projects in the Sisak-Moslavina County.<\/p>\n"},{"number":"","title":"Christopher P. Marcich","description":"

\"\"<\/a><\/p>\n

Chris spent 16 years working for the government of the United States. There, he worked as a negotiator on international trade issues and helped shape the U. S. trade policy. He was the Assistant U. S. Trade Representative for Europe, responsible for trade relations within the region. From 1995 until 2016, he served as president and international business coordinator for the Motion Picture Association (MPA). Since 2013, he has been President of the Executive Board of AGICOA, the association of audiovisual producers and their collective rights management groups. In 2019, he was appointed as the CEO of the Croatian Audiovisual Centre (HAVC).<\/span><\/p>\n"},{"number":"","title":"Davor \u0160vai\u0107","description":"

\"\"<\/a><\/p>\n

Educator, professional in the audiovisual sector, manager in the field of culture and art. For many years, he has been involved in cultural management and education in the field of film and television, and, more recently, in the field of video games. He is the Dean of the Academy of Dramatic Art, University of Zagreb and he currently manages the project \u201cEdu4Games \u2013 Development of occupational and qualification standards, and new study programs in the field of video game design and development.\u201d<\/span><\/p>\n"}]}]},{"acf_fc_layout":"section","id":"","title":"","subtitle":"","lead":"

\"\"<\/a> \"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n","custom_css_toggle":false,"custom_css":"","content":false}]},"_links":{"self":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/26824"}],"collection":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/comments?post=26824"}],"version-history":[{"count":2,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/26824\/revisions"}],"predecessor-version":[{"id":29937,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/26824\/revisions\/29937"}],"up":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/media\/26703"}],"wp:attachment":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/media?parent=26824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}