{"id":38096,"date":"2023-10-15T17:39:18","date_gmt":"2023-10-15T16:39:18","guid":{"rendered":"https:\/\/zff.hr\/?page_id=38096"},"modified":"2025-04-09T09:59:48","modified_gmt":"2025-04-09T08:59:48","slug":"my-first-script","status":"publish","type":"page","link":"https:\/\/2024.zff.hr\/en\/my-first-script\/","title":{"rendered":"My First Script"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":11455,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-38096","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"acf_fields":{"page_builder":true,"content":"","blocks":[{"acf_fc_layout":"header","id":"","image":11455,"video":false,"loop_video":false,"breadcrumbs":true,"lead":"<h1>My First Script<\/h1>\n","speed":"1","overlay":""},{"acf_fc_layout":"section","id":"","title":"","subtitle":"","lead":"<p style=\"text-align: center;\"><b>Workshop<\/b><\/p>\n<p style=\"text-align: center;\"><b><\/b><b>closed to the public<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The workshop is conceived as active individual work on a screenwriting project, mentored by two experienced script doctors. Six screenplay projects by directors, writers, or co-writers currently working on their first feature film screenplay have been selected among the applications received through the open call. The workshop is organised in cooperation with <\/span><span style=\"font-weight: 400;\">the Croatian Film Directors&#8217; and Producers&#8217; Association<\/span><span style=\"font-weight: 400;\"> and MIDPOINT Institute.<\/span><\/p>\n","custom_css_toggle":false,"custom_css":"","content":[{"acf_fc_layout":"grid","columns":[{"number":"script Doctor","title":"Antonio Nui\u0107","description":"<p><a href=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Antonio-Nuic-360-300x300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-42278\" src=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Antonio-Nuic-360-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Antonio-Nuic-360-300x300.jpg 300w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Antonio-Nuic-360-150x150.jpg 150w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Antonio-Nuic-360-160x160.jpg 160w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Antonio-Nuic-360.jpg 361w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">A writer and director. He graduated in Film and TV Directing from the Academy of Dramatic Art in Zagreb, where he has been working as a professor since 2013. He directed a segment of the anthology film <\/span><i><span style=\"font-weight: 400;\">Sex, Booze and Short Fuse<\/span><\/i><span style=\"font-weight: 400;\"> (2004), after which he went on to write and direct <\/span><i><span style=\"font-weight: 400;\">All for Free<\/span><\/i><span style=\"font-weight: 400;\"> (2005), <\/span><i><span style=\"font-weight: 400;\">Donkey<\/span><\/i><span style=\"font-weight: 400;\"> (2009), <\/span><i><span style=\"font-weight: 400;\">Life Is a Trumpet<\/span><\/i><span style=\"font-weight: 400;\"> (2015) and <\/span><i><span style=\"font-weight: 400;\">Mali<\/span><\/i><span style=\"font-weight: 400;\"> (2018).<\/span><\/p>\n"},{"number":"script Doctor","title":"Pjer \u017dalica","description":"<p><a href=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pjer-Zalica-360-300x300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-42282\" src=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pjer-Zalica-360-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pjer-Zalica-360-300x300.jpg 300w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pjer-Zalica-360-150x150.jpg 150w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pjer-Zalica-360-160x160.jpg 160w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pjer-Zalica-360.jpg 360w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Director, writer, producer, and dean at the Academy of Performing Arts in Sarajevo. Famous for <\/span><i><span style=\"font-weight: 400;\">Fuse<\/span><\/i><span style=\"font-weight: 400;\"> (2003), <\/span><i><span style=\"font-weight: 400;\">Days and Hours<\/span><\/i><span style=\"font-weight: 400;\"> (2004) and <\/span><i><span style=\"font-weight: 400;\">May Labour Day<\/span><\/i><span style=\"font-weight: 400;\"> (ZFF 2022). Wrote the screenplay for <\/span><i><span style=\"font-weight: 400;\">The Frog<\/span><\/i><span style=\"font-weight: 400;\"> (ZFF 2015) and directed several fiction shorts and documentaries, as well as plays, TV formats, ads and music videos. One of the partners at production company Refresh.<\/span><\/p>\n"},{"number":"guest lecturer","title":"Pavel Marek","description":"<p><a href=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pavel-Marek-360-300x298.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-42280\" src=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pavel-Marek-360-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" srcset=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pavel-Marek-360-300x298.jpg 300w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pavel-Marek-360-150x150.jpg 150w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pavel-Marek-360-160x160.jpg 160w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/Pavel-Marek-360.jpg 360w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Czech director and writer. During the communist era, he co-founded an underground film association Bulsitfilm, which put him in the circle of surrealistic filmmakers. He acted in films by the surrealist director Jan Svankmajer. His feature film <\/span><i><span style=\"font-weight: 400;\">Dead Beetle<\/span><\/i><span style=\"font-weight: 400;\"> (1998) won the Volkskrant Critics Award at IFF Rotterdam. He wrote scripts for the animation series <\/span><i><span style=\"font-weight: 400;\">Pat and Mat<\/span><\/i><span style=\"font-weight: 400;\">. Currently works as a Professor in the Department of Directing at FAMU, as Head of Studies of MIDPOINT Shorts, and a script consultant.<\/span><\/p>\n"}]},{"acf_fc_layout":"grid","columns":[{"number":"participant","title":"Zsigmond Kungl","description":"<p><strong><i>Andor, Liza and the Boy Who Didn&#8217;t Want to Have Sex<\/i><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n"},{"number":"participant","title":"Ivan Velja\u010da","description":"<p><em><b>Folka<\/b><\/em><\/p>\n"},{"number":"participant","title":"Alkim \u00d6zmen","description":"<p><strong><i>My Happy Family<\/i><\/strong><\/p>\n"},{"number":"participant","title":"David Ga\u0161o","description":"<p><strong><i>History of Illness<\/i><\/strong><\/p>\n<p>&nbsp;<\/p>\n"},{"number":"participant","title":"Lara Simona","description":"<p><strong><i>Business Secretary<\/i><\/strong><\/p>\n<p>&nbsp;<\/p>\n"},{"number":"participant","title":"Markus Laitinen","description":"<p><em><b><i>Carbon Cowboys<\/i><\/b><\/em><\/p>\n"}]}]},{"acf_fc_layout":"section","id":"","title":"","subtitle":"","lead":"<p><a href=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/dhfa-logo-300x155.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-42369\" src=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/dhfa-logo-300x155.jpg\" alt=\"\" width=\"143\" height=\"74\" srcset=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/dhfa-logo-300x155.jpg 300w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/dhfa-logo-768x398.jpg 768w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/dhfa-logo-160x83.jpg 160w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/dhfa-logo.jpg 900w\" sizes=\"(max-width: 143px) 100vw, 143px\" \/><\/a><a href=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-300x169.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-42324\" src=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-300x169.jpeg\" alt=\"\" width=\"165\" height=\"93\" srcset=\"https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-300x169.jpeg 300w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-1024x576.jpeg 1024w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-768x432.jpeg 768w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-1536x864.jpeg 1536w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-2048x1152.jpeg 2048w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-1920x1080.jpeg 1920w, https:\/\/2024.zff.hr\/wp-content\/uploads\/2024\/10\/MIDPOINT_logo-160x90.jpeg 160w\" sizes=\"(max-width: 165px) 100vw, 165px\" \/><\/a><\/p>\n","custom_css_toggle":false,"custom_css":"","content":false}]},"_links":{"self":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/38096"}],"collection":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/comments?post=38096"}],"version-history":[{"count":8,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/38096\/revisions"}],"predecessor-version":[{"id":42285,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/pages\/38096\/revisions\/42285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/media\/11455"}],"wp:attachment":[{"href":"https:\/\/2024.zff.hr\/en\/wp-json\/wp\/v2\/media?parent=38096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}