{"id":3990,"date":"2016-10-23T19:55:17","date_gmt":"2016-10-23T19:55:17","guid":{"rendered":"http:\/\/zff.hr\/en\/industry\/masterclass-tony-grisoni\/"},"modified":"2021-11-11T15:23:14","modified_gmt":"2021-11-11T14:23:14","slug":"close-up-stefan-arsenijevic","status":"publish","type":"page","link":"https:\/\/2024.zff.hr\/en\/industry\/close-up-stefan-arsenijevic\/","title":{"rendered":"Close-Up: Stefan Arsenijevi\u0107"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":29381,"parent":756,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3990","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"acf_fields":{"page_builder":true,"content":"

19\/11 | SRIJEDA | 15:00 | F22 – Nova akademijska scena<\/strong>
\nFrankopanska 22
\notvoreno za javnost
\n<\/strong><\/p>\n

 <\/p>\n

Hvaljeni scenarist Tony Grisoni<\/strong> koji je izme\u0111u ostalog radio i na filmovima Strah i prezir u Las Vegasu<\/em><\/strong> i Na ovome svijetu<\/em> (dobitnik Zlatnog medvjeda na Berlinaleu 2002. godine), s nama \u0107e podijeliti iskustva iz vi\u0161e od 25 godina duge karijere, s posebnim naglaskom na pisanje scenarija za televiziju. Govorit \u0107e i o svojem scenaristi\u010dkom anga\u017emanu u novoj TV seriji The Young Pope<\/em><\/strong>, u jork\u0161irskoj noir<\/em> seriji Red Riding<\/em><\/strong> te mini-seriji Southcliffe<\/strong>.<\/em> Masterclass \u0107e moderirati Jasmina Kallay<\/strong>.<\/p>\n

<\/p>\n

Tony Grisoni<\/strong> prije nego \u0161to se posvetio pisanju scenarija, bavio se raznim podru\u010djima filma. Blisko je sura\u0111ivao s hvaljenim redateljima, me\u0111u kojima su Michael Winterbottom<\/strong>, Terry Gilliam<\/strong>, John Boorman<\/strong>, James March<\/strong>, Anand Tucker<\/strong> i Paolo Sorrentino<\/strong>. Njegov impresivan popis naslova uklju\u010duje Strah i prezir u Las Vegasu, Zemlju plime, Brothers of the Head <\/em>i Na ovome svijetu<\/em>. Radio je i na televizijskim serijama Red Riding<\/em> i Southcliffe<\/em>, te na novoj, nestrpljivo i\u0161\u010dekivanoj dramskoj seriji The Young Pope<\/em>.<\/p>\n

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Close-Up: Stefan Arsenijevi\u0107<\/h1>\n","speed":"1","overlay":""},{"acf_fc_layout":"section","id":"","title":"","subtitle":"","lead":"

19\/11 | FRIDAY | 17:00 | Kino Kinoteka<\/b>
\n<\/b>open to the public<\/b><\/p>\n

A valid EU digital COVID pass or a valid negative test (PCR up to 72 hours, lateral flow up to 48 hours) required for entry.<\/strong><\/p>\n

 <\/p>\n

\n

ZFF and the Filmmakers\u2019 Association of Croatian present the masterclass with director and scriptwriter Stefan Arsenijevi\u0107 whose feature film, <\/span>As Far As I Can Walk<\/i><\/b>, is screening in ZFF\u2019s main competition. Hosting the talk with the director is producer <\/span>Tamara Babun<\/b>.
\n<\/span>
\nBelgrade was an important stop on the Balkan migrant route. Thousands of tired, lost people arrived in my city every day. And while a part of our public feared that migrants would destroy our culture and way of life, I thought it would be interesting to make them the heroes in the modern adaptation of the Serbian folk epic <\/span><\/i>Banovi\u0107 Strahinja<\/span>. What if the people we feared substituted the Serbian national heroes? And what if they embraced our heritage? For me, it seemed to raises a number of interesting questions about identity and tradition. So we merged these two completely disparate worlds, with a desire to try to better understand both. I would say that the strength of cinematic art lies precisely in allowing us to recognize ourselves in others.<\/span><\/i> Stefan Arsenijevi\u0107<\/b><\/p>\n<\/div>\n","custom_css_toggle":false,"custom_css":"","content":false},{"acf_fc_layout":"split_view","background_color":"","text_color":"","image":false,"left_column":"

\"\"<\/a><\/p>\n","right_column":"

STEFAN ARSENIJEVI\u0106<\/b><\/p>\n

He graduated in film&TV directing from the FDU in Belgrade, where he now teaches. Winner of the Golden Bear and the European Short Film Award for <\/span>(A)Torsion<\/span><\/i> (2003). His feature debut, <\/span>Love and Other Crimes<\/span><\/i> (2008), premiered at the Berlinale, while his latest film, <\/span>As Far As I Can Walk<\/span><\/i>, won as many as 5 awards at Karlovy Vary, including the Crystal Globe for Best Film. Founder and program director of First Films First, the Goethe-Institut\u2019s regional professional training program for young directors.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"split_view","background_color":"","text_color":"","image":false,"left_column":"

\"\"<\/a><\/p>\n","right_column":"

TAMARA BABUN<\/b><\/p>\n

She was born in Zagreb in 1985. She graduated in production from ADU. She has been working on film and TV projects since 2006. From 2011 to 2015, she was the producer of the ZagrebDox Pro program. From 2012 to 2016, she worked at Factum as an executive producer, participating in the production of a dozen documentaries. In 2017, she founded the production company Wolfgang&Dolly. She is a member of HRUP and HDFD.<\/span><\/p>\n"},{"acf_fc_layout":"section","id":"","title":"","subtitle":"","lead":"

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